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Chapter 3: Virus Indigo Controls 25

Delay

Time Controls the delay time in milliseconds.

Clock Selects a beat-based delay time. Choices

range from 1/64 to 3/4. Using the Clock control

overrides the Delay time control. The Delay

clock can be synchronized to MIDI Beat Clock.

See “Synchronizing LFO Clock to MIDI Beat

Clock” on page 47 for details.

Feedback Controls feedback amount. Higher

feedback settings produce more repetitions.

Coloration Controls the character of the delay

through the use of low-pass or high-pass filter-

ing. Settings from –64 to 0 apply a low-pass fil-

ter, with lower settings attenuating more high

frequencies. Settings from 0 to +63 apply a high-

pass filter, with higher settings attenuating

more low frequencies.

Rate Controls the rate of delay modulation. Use

modulation to add chorusing or flanging effects

to the delayed signal.

Depth Controls the intensity of delay modula-

tion.

Shape Selects the waveshape for the Delay LFO.

Choices are sine, triangle, sawtooth, square,

sample & hold, or sample & glide. Each pro-

duces a unique detuning effect.

Reverb

Decay Time Controls the decay time of the re-

verb effect.

Type Selects the type and overall character of the

reverb effect. Choices include, Ambience, Small

Room, Large Room, and Hall.

Damping Controls the amount of damping (high

frequency attenuation) applied to the reverb

tail.

Coloration Controls the character of the reverb

through the use of low-pass or high-pass filter-

ing. Settings from –64 to 0 apply a low-pass fil-

ter, with lower settings attenuating more high

frequencies. Settings from 0 to +63 apply a high-

pass filter, with higher settings attenuating

more low frequencies.

Pre-delay Controls the amount of pre-delay

added to the reverb effect. Pre-delay can add a

greater sense of depth to reverb.

Clock Selects a beat-based reverb time. Choices

range from 1/64 to 3/4. Using the Clock control

overrides the delay Time control. The clock can

be synchronized to MIDI Beat Clock. See “Syn-

chronizing LFO Clock to MIDI Beat Clock” on

page 47 for details.

Feedback Controls feedback amount. Higher

feedback settings produce more regeneration of

reverberant echoes.

On Pro Tools|HD systems, using a session

sample rate of 88.2/96 kHz reduces avail-

able delay time by half.

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